Bite Me A Love Story Chapter 6~7 Free Essays

string(90) " because he helped me take care of the Countess and Lord Flood when they were in trouble\." 6. The Vampire Parrots of Telegraph Hill A flock of wild parrots lives in the city of San Francisco. They are South American cherry-headed conures-bright green with a red head, a little smaller than a typical pigeon. We will write a custom essay sample on Bite Me: A Love Story Chapter 6~7 or any similar topic only for you Order Now No one is quite sure how they came to the City. It’s likely that they are the descendants of animals caught in the jungle, then released to the city skies when they proved too wild to be kept as pets. They fly over the northern waterfront of San Francisco, foraging for fruit, berries, and blossoms, from the Presidio at the entrance of the Golden Gate Bridge, over Pacific Heights, the Marina, Russian Hill, North Beach, and all the way to the Ferry Building near the Oakland Bay Bridge. They are social, squawky, silly birds that mate for life and advertise their presence with a cacophony of beeps and cheeps that inspire smiles from residents, bewilderment from tourists, and hunger in predators, mostly red-tailed hawks and peregrine falcons. The parrots spend their nights high in the trees of Telegraph Hill, beneath the great concrete phallus of Coit Tower, sheltered from attack from hawks by the evergreen canopy overhead, and from all but the most ambitious cats, by the sheer altitude. But still, they are sometimes attacked, and although gentle creatures, they will fight back, biting with their thick, built-for-seed-crushing beaks. Which is what happened. The next morning after he witnessed the cat attack in the SOMA, the Emperor of San Francisco was awakened from a nest he’d made in one of the little stair gardens on Telegraph Hill, to hear parrots squawking in the trees. The sun was just breaking the horizon behind the Bay Bridge, turning the water red-gold under a blue morning mist. The Emperor crawled out from under a pile of carpet padding, stood, and stretched, his great joints creaking in the cold like ancient church doors. The men, Bummer and Lazarus, poked their noses out of the gray cloak, snuffled the dawn, then, with the call of the parrots, resolved themselves to morning and emerged like urgent butterflies to search for the perfect spot for the first wee of the day. The three watched as fifty or so squawking parrots circled Coit Tower and headed out toward the Embarcadero, where, suddenly, they all stopped flying, burst into flames, and fell like a smoldering storm of dying comets into Levi’s Plaza. â€Å"Well, you don’t see that every day,† said the Emperor, scratching Lazarus’s ears through the bandages. The retriever was a doggy version of The Mummy, wrapped ears to tail in bandages after his last encounter with the vampire cats. The vet in the Mission wanted to keep him overnight, but the retriever had never spent a night away from the Emperor since they had found each other, and the vet had no accommodations for a large and burly monarch, let alone a feisty Boston terrier, so the three had bunked together under the carpet pad. Bummer chuffed, which translated from dog to: â€Å"I don’t like it.† As the famous frog sang, it’s not easy being green. 7. The Fog Comes on Little Cat Feet and Whatnot FOO Stephen â€Å"Foo Dog† Wong’s fully bombed Honda drift machine was full of rats. Not completely full, the passenger seat was filled by Jared Whitewolf, Abby’s backup BFF. (BBFF, really.) â€Å"Did you have to get all white ones?† Jared asked. He was six foot two, very thin, and paler than Death shagging a snowman. The sides of his head were shaved and in the middle he sported an unlaquered Mohawk, which hung in his eyes unless he was lying on his back or looking up. In addition to a floor-length black PVC cenobite coat, he was currently wearing Abby’s thigh-high red platform Skankenstein ® boots, which was completely within his rights, as her current BFF. What bothered Foo was not that Jared had on girl’s boots, but that he had on the boots of a girl with distinctly small feet. â€Å"Don’t those hurt?† Jared tossed his hair out of his eyes. â€Å"Well, it’s like Morrissey said, ‘Life is suffering.'† â€Å"I think the Buddha said that.† â€Å"I’m pretty sure Morrissey said it first-like, back in the eighties.† â€Å"No, it was the Buddha.† â€Å"Have you ever even seen a picture of the Buddha with shoes on?† Jared asked. Foo couldn’t believe he was having this argument. What’s more, he couldn’t believe he was losing this argument. â€Å"Well, I have some Nikes upstairs that might fit you if you need to change shoes. Let’s get the rats unloaded. I have to get to work.† Jared already had four plastic cages with two white rats in each stacked on his lap, so he unfolded himself out of the Honda and wobbled on the red platforms to the fire door of the loft. â€Å"Don’t try to paint them black,† Jared said, peering into the Plexiglas boxes as Foo opened the door for him. â€Å"I tried that with my first rat, Lucifer. It was tragic.† â€Å"Tragic?† said Foo. â€Å"I’d have never guessed. Put them on the floor in the living room. I’ll borrow the truck from work tomorrow and pick up some folding tables to put them on.† In addition to pursuing his degree in molecular biology, and variously rescuing Abby, formulating vampire serum, and tricking out his Honda, Foo still worked part-time at Stereo City, where he specialized in telling people that they needed a bigger TV. â€Å"You still have that job?† Jared said as he stumbled up the stairs. â€Å"Abby said you guys have total fuck-you money.† Why did she tell him? She wasn’t supposed to tell him. Did she tell him everything? Why did she have to have friends at all? She’d given Jared five thousand dollars of Jody and Tommy’s money for Hanukkah-despite the fact that neither one of them was Jewish. â€Å"Because I will not let mainstream society make me into the Christmas bitch of the zombie baby-Jebus, that’s why,† she’d said. â€Å"And because he helped me take care of the Countess and Lord Flood when they were in trouble. You read "Bite Me: A Love Story Chapter 6~7" in category "Essay examples"† â€Å"I need to keep my cover,† Foo said. â€Å"For tax purposes.† That was partially true. He did need to keep up his cover, because, like Abby, he hadn’t actually told his parents that he’d moved out. They were so used to him being at school, in the lab, or at work, that they hadn’t really noticed that he hadn’t been sleeping at home. It helped that he had four younger brothers and sisters, who were all carrying insane work and course loads. His parents were all about toil. As long as you were toiling, you were okay. They could smell toil from miles away, or the lack of it. He might be able to get away with living in his own loft with his spooky-sexy girlfriend, and doing bizarre genetic experiments on the undead, but if he quit his job they’d sense it in a second. It took Foo and Jared twenty minutes to get all the rats up the steps and lined up around the living room. â€Å"We’re not going to hurt them, are we?† said Jared, holding up one of the plastic cages so he was eye to eye with its occupants. â€Å"We’re going to turn them into vampires.† â€Å"Oh, cool. Now?† â€Å"No, not now. For now, you’re going to need to feed them and make sure there’s a water bottle in each of their cages,† Foo said. â€Å"Then what?† Jared asked, tossing his hair out of his eyes. â€Å"Then you can go home,† said Foo. â€Å"You don’t need to observe them full-time until the experiment starts.† â€Å"I can’t go home. I told my parents I was staying over at Abby’s.† Foo was suddenly horrified at the thought of having to spend the night in the loft with a hundred rats, two bronzed vampires, and Jared. Especially Jared. Maybe he’d go home and leave Jared to watch the rats-make an appearance at home for the parents, so as to throw them off the trail of his non-toiling, loft-living, Anglo-girlfriend lifestyle. â€Å"You can stay here, then,† Foo said. â€Å"I’ll be back in the morning.† â€Å"What about them?† Jared nodded toward the bronzed figures of Jody and Tommy. â€Å"What about them?† â€Å"Can I talk to them? I didn’t get to finish telling Jody my novel.† Jared had spent a very long night telling Jody the first part of the novel he was going to write, an erotic horror story that starred himself and his pet rat, Lucifer 2. â€Å"Okay,† said Foo. He didn’t really like thinking about the two people, well, vampires, but they seemed a lot like people, that he’d helped imprison in a bronze shell. It sort of gave him the willies, and that was highly unscientific. â€Å"But no touching,† he added. Jared pouted and sat down on the futon, about the only spot in the entire living-room-kitchen area not covered with plastic rat cages. â€Å"Okay, but will you help me get these boots off before you go?† Foo shuddered. It had been less than an hour since the cops led Abby away and already he missed her like a severed limb. It was embarrassing. How could hormones and hydrostatic pressure make you feel like this? Love was very unscientific. â€Å"Sorry,† Foo said. â€Å"Gotta jet.† A true hero, the kind Abby accused him of being, he knew, would have helped Jared. JARED Abby Normal had once offered to pay for a tattoo for Jared that read: Danger. Do not administer caffeine without adult supervision. Jared asked, â€Å"Can it be in red? Does it have to be on the forehead? Maybe on the side so I can grow my hair over it if I don’t like it. Am I being emo? Do you want to play Blood-feast on Xbox? They have green fur iPod cases at Urban Outfitters. I love white chocolate mochas. Marilyn Manson needs to be dragged to death behind a clown car. Oh fuck, I’m so allergic to this eyeliner I could cry.† Abby said, â€Å"Oh my God, you’re like Obnoxious and Annoying had an ass baby!† â€Å"What are you trying to say?† asked Jared. What she had been trying to say, although she didn’t know it at the time, was that under no circumstances should Jared be left alone in an apartment with an abundance of time and espresso, which is what Foo had just done. So after feeding, watering, and naming all the rats (most given French names from Abby’s copy of Baudelaire’s Les Fleurs du Mal), Jared began brewing espressos and was nine demitasse cups into the afternoon when he decided to act out the remainder of his unwritten vampire adventure novel, The Dark of Darkness, for a hundred rats caged in plastic and two vampires encased in bronze. â€Å"So the evil Blood Queen dons her chrome strap-on of death and goes after Lucifer 2. But Jared Whitewolf is on her like a fat kid on a cupcake, parrying her blows with his dagger of death, or Dee Dee, as it is known.† Jared pirouetted, a move he’d learned in ballet class at age six, and slashed the air, low and fast, with the double-edged dagger held backhand so as to sever his imaginary enemy’s femoral artery, a move he’d learned in Soul Assassin Five on the Xbox (although it was harder to do while wearing platform boots than it was in the video game). The dagger was real enough, twelve inches of double-edged high-carbon stainless steel with a dragon hilt. Jared carried it because he thought it made him look badass when doormen took it away from him at clubs. â€Å"And he strikes her weapon in half!† he said, leaping and bringing the blade around a little too fast. He turned his ankle, lost his balance, and as he fell, the dagger put a deep nick in the bronze statue. â€Å"Ow!† He sat on the floor holding his ankle and rocking back and forth in the yoga position known as the â€Å"freaked-out half-lotus.† Then he noticed the gash he’d put in the bronze, directly over Jody’s right clavicle. â€Å"I’m sorry, Countess,† Jared said, still a little breathless from his battle. â€Å"I didn’t mean to hurt you. It’s just that I had to save Lucifer 2. You’d do the same thing for Lord Flood if he was in the story.† Jared buffed at the bronze with his sleeve, but the gash was deep and wasn’t going to go away with polishing. â€Å"Abby’s going to kill me. I’ll patch you, Countess. Just hang on. Toothpaste. We used it on the wall that time we drank Abby’s mom’s vodka and played cross-country darts in her living room. Hang on a minute.† Jared let the heavy dagger drop to the floor, climbed to his feet, winced, then limped off to the bathroom to look for toothpaste. He located a tube of all natural tartar control with baking soda just as the sun dropped under the horizon in the west. Out in the living room, a needle-thin stream of mist began leaking out of the gash he’d made in the bronze statue. Toothpaste probably wouldn’t have fixed it. THE ANIMALS In the last two months, the Animals, the night stock crew at the Marina Safeway, had hunted an ancient vampire, blown up his yacht, stolen millions of dollars’ worth of art, sold it for pennies on the dollar, spent the remaining hundreds of thousands on gambling and a blue hooker, got turned into vampires, were torn apart by zoo animals, then burned up by sunlamps when they attacked Abby Normal, then turned, by Foo, back into seven guys who stocked shelves at the Safeway and smoked a little too much weed. And as it often is with adventurers, after the adventure, they were feeling a little bored, and a little worried that nothing exciting would ever happen to them again. After you’ve battled the darkness, then become the darkness, then shagged the darkness, frozen turkey bowling and skiing behind the floor-scrubbing machine just doesn’t hold the same thrill. After you’ve shared a blue prostitute with your buddies to the tune of a half a million dollars, only to have her kill and resurrect you before disappearing into the night, swapping stories of banging babes was a bit of an anticlimax. After all, they worked nights and the oldest of them, Clint, was only twenty-three, so most of their stories were gross exaggerations, wishful thinking, or outright lies anyway. Even crucifying Clint with zip ties on the potato chip rack every other Friday didn’t seem fun anymore, and last week they had just left him hanging, thrashing in the Doritos, and went off to stock their aisles before he could even forgive them for knowing not what they did. Tragic, really, to be young, free, and mind-numbingly bored. So when the Emperor of San Francisco came screaming out of the parking lot and slammed, face-first, into the big Plexiglas front window, rattling the Tic Tacs on every register, each of them dropped what he was working on and headed to the front of the store, hoping in their hearts that something outstanding was coming down. The seven, the Animals, stood on one side of the big window, while the Emperor pounded on the other, the royal hounds leaping and barking at his side. â€Å"Maybe we should let him in,† said Clint, curly-haired, born-again, ex-heroin addict who worked cereal, coffee, and juices. â€Å"He seems troubled.† â€Å"S,† said Gustavo, the porter, leaning on his mop. â€Å"Troubled.† â€Å"Seems fucking freaked,† said Drew, the Ichabod-Crane-gaunt master of the frozen food aisle and chief medical officer. â€Å"Totally fucking freaked.† â€Å"What’s wrong?† asked Lash, the lean black guy who had become their leader when Tommy was turned into a vampire, largely because he almost had an MBA, but also because he was a black guy and inherently cooler than everyone else. â€Å"Murder, destruction, ravenous creatures of the night, a storm of them,† shouted the Emperor. â€Å"Hurry, please.† â€Å"He always says that,† said Barry, the balding fireplug of a scuba diver who also stocked soap and dog food. â€Å"Well, every time he says it, it’s kind of true,† said Jeff, the tall blond ex-power forward with the blown-out knee (baking supplies and international foods). â€Å"I say let him in.† â€Å"Look, the retriever is all bandaged up. Poor guy,† said Troy Lee, their resident martial arts expert who worked the glass aisle. â€Å"Let them in.† â€Å"You just want to roll the little one up in a burrito,† said Lash. â€Å"Yeah, that’s right, Lash. Because I’m Chinese, I have a deep-seated need to nosh house pets. Now why don’t you let him in before my inner Chinaman forces me to kung-fu your bitch ass.† Because he understood that he was the leader only so long as he told everyone to do what they wanted to do anyway, and because he had had his bitch ass kung-fued in the past and hadn’t cared for it, Lash unlocked the door and let the Emperor in. The old man fell into the store when Lash opened the door. Bummer and Lazarus stopped barking and bolted by them, and on toward the back of the store. Jeff and Drew got the Emperor seated on one of the registers and Troy Lee handed him a bottle of water. â€Å"Chill, Your Majesty, we’ve done this before.† â€Å"Not like this. Not like this,† said the Emperor. â€Å"It’s a storm of evil. Lock the door.† Lash rolled his eyes. They really had done this before, and the door being locked or unlocked wasn’t going to make much difference if a vampire was following the old man. â€Å"We got your back, Highness,† Lash said. â€Å"Lock the door,† the Emperor moaned, pointing through the window. A fog bank was moving across the parking lot, with rather more intent than one usually expects from a fog bank. A high, yowling screech seemed to come out of the fog in a stream, as if it had been sampled, amplified, and duplicated a thousand times. The Animals moved to the glass. â€Å"Lock the door, Lash,† Clint said. Clint never gave orders. The edge of the fog bank was boiling with shapes, claws, ears, eyes, teeth, tails-cats formed of fog, rolling in a wave over one another, some materializing partially, only to evaporate and roll back into the cloud, their red eyes moving through the cloud like embers out of a firestorm. â€Å"Whoa,† said Drew. â€Å"Whoa,† repeated the others. â€Å"Okay, that is different,† said Troy Lee. â€Å"My friends all over the City are missing,† the Emperor said. â€Å"Street people. They’re gone. Just their clothes and gray dust,† the Emperor said. â€Å"The cats are killing everything in their way.† â€Å"That is fucked up,† said Jeff. â€Å"Deeply, deeply fucked up,† said Barry, dragging one of the heavy wooden order dividers off the register and brandishing it like a club. â€Å"Lock the fucking door, Lash!† Clint screamed. â€Å"Jesus hates it when you use the f-word,† said Gustavo, the Mexican porter, who was Catholic and liked to remind Clint when his Jesus was slipping. The fog washed against the window and claw marks etched the Plexiglas instantly to frost, as if it had all been sanded. The noise was like, well, it was like a thousand vampire cats clawing on Plexiglas-it made their teeth hurt. â€Å"Did anyone bring weapons?† Troy Lee asked. â€Å"I brought some weed,† Drew said. A cat’s claw of fog crept under the door and raked the toe of Lash’s sneaker. He snapped the lock shut, pulled out the key, and backed away. â€Å"Okay, break time,† he said. â€Å"Crew meeting in the walk-in.† JARED Across town, in the bedroom of a fashionable loft, in the fashionable SOMA neighborhood, aspiring rat-shagger, Jared Whitewolf, looked up from rubbing his sore ankle to see a completely naked redhead walk into the room. Her hair hung to her waist in a great curling cape, framing her figure, which was perfect and as white as a marble statue. She held Jared’s double-edged dagger in her right hand. Jared backed up onto the bed in a reverse crab walk. â€Å"I, I, I, it, it, it-Abby made me-â€Å" â€Å"Chill, Scissorhands,† Jody said. â€Å"You’d better find some of those blood bags of Steve’s fast, unless you’d like to finish high school as a pile of greasy dust. Countess is thirsty.† How to cite Bite Me: A Love Story Chapter 6~7, Essay examples

Postmodernism free essay sample

Different material, methods and media’s have been used in postmodern art, such as painting fine art, technology, architecture and fashion. A study of various types of powerful societal changes through time is tackled through art. These changes comprise of gender identity, globalisation growth, political power etc. Introduction The expression of Art has always been influential; many artists use it as a tactic to exploit political truths and ideas. Postmodernism is a â€Å"movement reacting against modernism, especially by drawing attention to former conventions† (pg821). This form of art allowed a new way of looking at reality in a society that is constantly reassessing its culture and values. Postmodern art focuses on a mixture of high and low cultures and dominant ideas; it went against repression, sexism, racism, political power, and violence. Deconstructing truths criticises and analyses contemporary issues. These deconstructionist feed on controversy, artists such as Alessandro Mendini, Andy Warhol, Jenny Holzer create colourful and ruinous, luxurious and outrageous artwork. The art allowed radical freedom to design, funny gestures confrontation and occasionally absurd. It was a style that has new self-awareness. Postmodernism rebelled against modernism; it was an attack on what had come before as it explored and disparaged any unspoken leading concepts and social customs. The disillusionment from World War II heavily influenced postmodern art. The style doesn’t have a clear central hierarchy or organising principle; it uses melancholy, extreme complexity, contradiction, ambiguity, diversity and interconnectedness. Loud colours, bold patterns, historical quotation and whit are used. During the 60s, critical practices of postmodernism were applied mainly in Italy. The idea of ‘Function follows form’ is abandoned. Exaggerated proportion and outrageous texture for the sake of decoration. Designers such as Ettore Sottsass and Alessandro Mendini who challenged social norms and the traditional taste of design. Italian born designer and architect, Alessandro Mendini played a part in postmodern design. He creates graphics, furniture, interiors, paintings and architectures. His work of ‘Destruction of the Monumento da Casa (Household Monument) is an enlarged photograph of a modernist chair. This literally displays the destroying of the past, the end of modernism and the beginning of postmodernism. It was an attack on what had come before, Mendini brought the chair to a stone quarry and set the chair on fire, photos were captured during the process in 1974. Popular culture, irony, historicism, eclecticism and pluralism are embraced by postmodernism. The artist believed that something new design would grow from the burning remains. One of the most iconic post-modern designs is the Proust armchair by Alessandro Mendini. He chose to add Signac painting as the pattern on a ready-made replica of an 18th century armchair. American language conceptual artist, Jenny Holzer is famous for her short statements. The postmodern fashion in the 80’s was a time when women were in power and this was mirrored in physicality and clothes. The artist uses modern information to expose and address the politics of discourse. The ‘Abuse of Power Comes as No Surprise’ by Hozler is one of her many controversial artworks. Jenny Hozler worked outside the regular conventions, as she believed that simplified phrases are the quickest way for everyone to comprehend. A lot of Jenny Hozler’s work victimises the woman, this method allows the audience to basically read the violence male dominance against women. Words such as ‘Crack the Pelvis so she lies right, this a mistake. When she dies you cannot repeat the act†¦Ã¢â‚¬â„¢ the brutal yet vivid words suggest male power over women. In order to communicate to foreign countries, her work was translated multiple times. Hozler’s techniques include a range of multimedia, posters, hats, T-shirts and L. E. D signs on large architecture. She received many negative feedbacks by the public, therefore, withdrew from her career until 1993. The postmodern artist came back with a new approach to immaterial; she is still driven against murder plus sexual pleasure, hence initiated a new series named ‘Lustmord’. Fine Art is also found in post modernism. Techniques found in painting were super-realism, mannered, academic, neoclassical, decorative, and self-conscious stylization. Originality had ended and there is a lot past styles referencing. Postmodern artist, David Ligare paintings looked extremely realistic. He focused on still life painting, Ligare believes that there is no limit and virtually anything now could be considered art, hence makes him a postmodern artist. David Ligare does narrative paintings based on Greco/Toman culture. Marcel Duchamp’s artwork incorporated jokes to add humour to his visual. Duchamp has made numerous pastiche works; his most famous is the ‘L. H. O. O. Q’, which stands for ‘Elle a chaud au cul’. It was a rebel against traditional art was the dominant idea of the time. Duchamp’s added moustache and beard to the postcard with the Mona Lisa, which contradicts regular conventions of the time. He wanted to take artistry lightly; it was an act of rebel against convention. This technique became known as ‘appropriation’, it is the idea of manipulating famous historical art pieces. This practice has become common in today’s art. Andy Warhol works exemplifies the final stage of postmodernism. Warhol’s paintings had always had something controversial, as theorist Fredric Jameson states, ‘they ought to be powerful and critical political statements’ Andy Warhol is a contemporary artist, which expresses the postmodernism of society though his artistry. Through his artwork, his expression seems to be very anarchy and chaotic, especially the major use of the primary and bold colours whereas in the mainstream artistry it is very subtle due to the dark or complimentary colours which can often be seen as conservative. Warhol’s ‘Dollar Sign’ from 1981 deconstructs the truth about money. The painting suggest money’s strength, its addiction and tactic for conspiracy, His artwork were powerful and held critical political statements because they were billboard-like images. One of his pieces was of the North Korean leader, Kim John IL. Normally in society Kim John IL would not be even spoken of due to the high political power he has over North Korea. And the fragility between other nations that Kim John IL has. Andy Warhol has done a piece of this leader using contrasting and chaotic colours that seemed random and unusual. Warhol used appropriation, taking and creating pastiche references. As Andy Warhol states, â€Å"Art is what you can get away with†. Yasumasa Morimura uses humour with referencing to historical art. His postmodernist artworks have the idea of rejecting a single fixed meaning in an image or artwork. He is a controversial Japanese artist who displaces societal currents in Japanese culture. Western assimilation, capitalism and gender values are shown in his designs. Yasumasa is an illusive creator with no boundaries; this sets his work off to a guttural response. He is best known for mimicking great subjects, in particular western art. One of his works uses historical art as reference is the ‘Blinded by the Light’ 1991, which was inspired by the ‘ Parable for the Blind’ by Pieter Brueghel in 1568. Morimura symbolises a satirical message on Western invasion. Yasumasa Morimura caused controversy by highlighting historical influences and transforming into the postmodern art world with eastern and western culture, sexuality and gender identity. His background influenced Morimura’s, he was an outsider dominated by western culture and art. Technology advancement such as digital editing allowed his work to become flawless. In the racist imagination of western culture, they perceive Asian men with weak physically, equivalent to a little white girl. Morimura embraces his influences and mixes his sexual influence with modern culture. This is reflected in his series of self-portraits, e. g. Morimura as Monroe. Throughout the postmodern period, globalisation had become widespread, the artist felt as if he was invaded by foreign ideas and culture. In response, he invaded western culture through their art, by slapping his face on the Mona Lisa or the Infanta Margarita. Famous artist, Barbara Kruger exploited truths through her works of being a graphic designer, art director, and picture editor. Rather than creating her own images, she uses images and juxtaposes them. She used her techniques and skills of being a graphic designer and worked on political, social feminist provocations, religion, sex, racial and gender stereotypes, consumerism, corporate greed, and power. Her techniques consist of using media sources and words and directly collaging them over each other. Her signature look comprises of cropped, large-scale, black and white photographic pictures against black, white and red sans serif letterform. They hold raucous, pithy, ironic sayings. The poster, ‘Your Body is a battleground’ proposes the idea of re-conditioning gender stereotypes. Originally, the image was used in Washington DC to advocate a pro-choice position and reproductive rights for women. This raises the issue of power, patriarchy, stereotyping and consumption. The poster has a black and white image of a woman’s face that is split symmetrically with direct eye contact. The positive and negative space could highlight ‘good vs. bad’. Judging from the woman’s hair and makeup, she appears to be a housewife. The image represents that women cannot be sold, it illustrated a political setting and subsequently their identities are favourably polished.

Music Of The 70S Essays - British Rhythm And Blues Boom Musicians

Music Of The 70'S Freewheeling War mixed rock, jazz, and soul influences into a spicy stew throughout the '70s, resulting in a series of R&B and pop hits sporting funky melodies and politically aware messages. Born in Long Beach in 1969, the large combo initially served as rocker Eric Burdon's group, backing the ex-Animal on his 1970 million-seller Spill the Wine. Bidding Burdon adieu, the band signed with United Artists in 1971 and enjoyed its first smash the next year with Slippin' into Darkness. Tapping into a sizzling, horn-fueled rock/soul synthesis, The World Is a Ghetto, The Cisco Kid and Why Can't We Be Friends? all went gold during the mid-'70s. Despite numerous personnel and label changes, War remained eminent throughout the '80s. In the early '90s, War experienced a revival, partially due to the fact that all of their albums were reissued. But the group was also acknowledged as a primary influence on contemporary R&B and hip-hop. War returned to recording in 1994 capitalize on their new-found popularity. While 94's War wasn't a blockbuster, it was a moderate success, enabling the group to continue recording into the late '90s. War may be available for your next special event. Call us! Please note that the above images may not accurately portray current band membership. Specifically, Harold Brown and Howard Scott do not play in the group WAR any longer. On January 11, 2001 we were informed that the ownership of the name WAR is currently in litigation in the United States Court of Appeals for the 9th Circuit. Music Essays

What To Do On Your Last Day Of Work

What To Do On Your Last Day Of Work You’ve quit your job. You’re saying goodbye. Hopefully this means you’re moving on to something bigger and better. But no matter what, there are a few steps you need to take to make a dignified exit. No matter what you do, don’t burn any bridges. Resist the temptation to say all the nasty things you’ve been bottling up all this time, and exit with grace and poise. Here are 7 steps to leaving with grace and class.1. Transfer your files.Make sure to shore up any files you need to pull from your work computer before you formally leave. Make sure to put all files that might be relevant to the company or your coworkers somewhere accessible (i.e. a shared drive), then wipe out your computer for the next guy. Clear your browsing history, delete unneeded personal documents, etc.2. Write your farewells.You’ll want to write a sign-off letter to your coworkers and friends thanking them respectfully for their work during your time at the company and lett ing people know how they may contact you in future. Resist the urge to pen that feel-good vindictive bomb of an email telling everyone just exactly what you think of management or the company itself. That can only come to disaster. Remember, don’t express your resentment, no matter how righteous. This is a networking opportunity. Don’t pass it up.3. Write your boss.Even if you dislike your boss, it’s good form to write a thank you letter, articulating what you’ve learned and how you’ve grown. If you have a good relationship and aren’t totally full of rage, it’s often nice to offer your help in the transition of your replacement.4. Shore up projects.Make sure you aren’t leaving anybody hanging. Change your voicemail message. Set an auto-response on your email. Make sure clients and colleagues will all know who to contact upon your absence to get their needs met and projects completed.5. Clear out your desk.Take only what belongs to you. Return things as necessary to IT. Resist temptation to steal the stapler or that sweet external hard drive. And don’t be the jerk who takes their keys. They will be useless to you going forward, but will cause someone  extra work if you skate out with them. It’s best to wait to do the actual clearing out of your desk until the end of your last day- unless you have a massive office full of your effects.6.  Leave  a great impression.If you’ve had a good relationship with your coworkers here, consider bringing in cupcakes or something on your final day. Go out on a happy note!7. Give a good exit interview.If your company has an exit interview procedure in place, great. This is your opportunity to be honest about your criticisms. Again, don’t be resentful. Keep it concise, and try writing it out beforehand to make sure you’re not speaking in anger. Keep your tone respectful and don’t forget also to include your praise for the bett er aspects of your experience at that job. Be professional, no matter what. Honesty is great, but try to stay positive.A few other things to keep in mind: Even if you’re super excited to be out of there, you shouldn’t be too unrestrained in your excitement. Remember all the people  you’re leaving behind! Instead focus on the positives and be respectful of the people who will continue to work at this company long after you have left.Avoid saying all the (possibly true, but mean) things you want to say, like â€Å"I was not the problem,† or â€Å"You are a terrible manager,† or â€Å"Thank goodness  I’m getting off this sinking ship.† Honesty isn’t necessarily your best policy on the way out. You don’t, for example, want to tell your annoying coworker that you never liked working with them. There are plenty of things that can remain unsaid- at least until you go out and celebrate your escape with non-work friends.Keep it classy, close the door, and start your new chapter with a good attitude and only positivity behind you!

Medieval Peasants Were More Important Than Monks And Knights Essay

Medieval Peasants Were More Important Than Monks And Knights - Essay Example Daily lives of the three social classes explain their relative significance in medieval society. Peasants belonged to the lowest social class and were despised, despite their contribution to society and their direct help to members of the higher social classes. Even though peasants were not entitled to large pieces of land, they had an opportunity to own land from their respective lords. They could offer labor as a price for ownership and this meant that as long as a peasant could work and be motivated towards land ownership, they could own as much land as their efforts could allow. Consequently, the peasants could meet their needs from land ownership, especially with respect to basic needs and this established significant equivalence between members of the social class and members of higher social classes. ...it activates in the absence of the monks and the knights while the monks and the knights could not offer labor into some of the society’s economic activities.1 Understan ding the roles that the monks and the Knights played in the society also explains the relative significance of the peasants over monks and knights. Core objectives of the monks, as their three main vows suggest, were to ensure eradication of poverty, to ensure chastity, and to ensure obedience. Unlike the peasants who offered labor in an almost capitalistic scope and therefore ensured production of goods and services towards their master’s desired volumes, the monk's economic activities focus on eliminating poverty but not wealth creation. These factors identify more economic significance peasants than the monks because the monks economic activities were limited to â€Å"necessary supplies of vegetables and grain†.2 The monks’ other points of focus, chastity, and obedience, are also secondary needs and this identifies more significance of the peasants in resource creation towards meeting people’s basic needs. The monks’ areas of operation were also limited to monasteries while the peasants contributed to a wider scope of the society. Lives and functions of knights were also limited to the lives and interests of the noble class and not on the community’s basic needs. members of the social class focused on wars that their lords fought and spent most of their times preparing their weapons and keeping themselves fit to defend their lords from possible attacks and to attack enemies as deemed by the lords.

The Curious Case of Benjamin Button Essay Example | Topics and Well Written Essays - 750 words

The Curious Case of Benjamin Button - Essay Example Scott Fitzgerald. That was when I took the time to read all the 18 pages of the short story, walking away from it in awe of the imagination of the writer and feeling robbed by the way the movie of Brad Pitt disrespected the original. The novel itself was quite interesting because it took place in an era of America that paid all too much attention to the social status of a family in the community. As with the Buttons family in the story, the image of a financially well-to-do family in the community is always coupled with an upstanding name that is cared for over generations. But that was not to be the case with Benjamin. His family became the object of ridicule for many years due to the circumstances of his birth and yet they managed to endure as a familial unit. The character of Benjamin is one whose origin story is quite complex and, in my opinion, lacking in character development and backstory. That is because even though we were introduced to Benjamin as a newborn old man, we neve r found out how such things could occur. If there was no scientific explanation for it as mentioned in the story, perhaps a backstory of a cursed birth or something would have helped. I just found it important as a reader to understand how such a pitiful life could have been bestowed upon an innocent child by the forces of the universe. Surely Benjamin's parents must have done something terribly evil to incur the anger of the gods thus being bestowed with a cursed child right? But I guess F. Scott Fitzgerald did not want to bother or perhaps bore the readers with such backstories. Which is why he also had a tendency to gloss over decades of Benjamin's life for no reason. His glossing over the life of the man-child and not paying attention to greater details of his development leaves one wondering as to why he became the sort of man that he did. It is almost like reading the life of Jesus with the missing 20 years. It just did not make any sense to me. That said, I would have to say that the story still managed to retain the interest of the reader in such a manner that these oversights could easily be forgiven. It did not remove from the enthralling tale of the life of an old man destined to die as a new born at all. It puzzled me though that the mother in the story was never mentioned as I am sure that Benjamin needed to have been born of natural means. So why was the mother not mentioned at all in the story? Did she die during childbirth? Was she driven mad by the sight of the newborn son being old enough to sit on her lap and then some? I imagined the birth would have been horribly painful for her and traumatizing and yet it was never even touched upon in the telling of the early life of Benjamin. Rather there was a concentration on the relationship of the boy and his father who did not accept him for who he was when he was born. The cruelty of a parent during that era of history seems so much that he actually wished his son were born a negro so he could hav e left him at the slave market. That part of the novel I remember reading and thinking, â€Å" What a cruel father he is to want to give away his child under the worst circumstances. He would have probably killed the child if he could have.† After reading the book another time though, I began to get the humor in the writing of Fitzgerald. In fact, one might say that the book was written tongue in cheek since the events has he related them could never take place in real life. Yet as a short story, the concept actually made sense. I mean, if it did not, then Hollywood would not have tried and failed miserably to rip it off. Towards the end of the book, when Benjamin began to grow into his baby years, I could not help

Act Violations in Afghanistan Assignment Example | Topics and Well Written Essays - 500 words

Act Violations in Afghanistan - Assignment Example I also found it interesting that despite USA’s great investment in establishing peace in former war-torn Sudan (Sudan and South Sudan), there has never been any penalty as a result of Foreign Corrupt Practices Act violations in that country. Last but not least, the ability of the interactive map to provide information about FCPA violations penalties in both numerical and visual item such as color and boxes was quite captivating and fun to me. I was very surprised by the magnitude of fines associated with FCPA violations in the Consulting sector. This figure was the largest among all the sectors which recorder payment of the penalties. I was also amazed that the Health & Pharmacy sector highly contributed to bribery in South America which is a continent adversely affected by poor health systems and status. Bribes increase the cost of operations and thus, bribery costs must have increased cost of health care in South America. This is quite a surprising and a saddening statistic. I agree with Linda about fictitious revenues. They are simply revenues reported that never occurred. This means that they could be inflated revenues or just fakes revenues. To add on her exhaustive post, I would like to add on the ways in which these fictitious revenues can be identified. One of the major red flags is an unusual increase in assets aimed at concealing these non-existent revenues. Contact details of customers such as physical addresses and phone numbers also become unavailable. Lastly, fictitious revenues can be detected by drastic changes in ratio patterns due to fictitious revenues. On the other hand, I disagree with Adrienne’s post.